• Visiting the Burren for the first time in 2016 was a wonder! The sheer elemental beauty of the landscape is unlike anywhere else I have visited. It looks and feels completely different  – sort of, like landing on mars but with lots and lots of life and lichen! I was blessed to spend time working in the landscape while the wildflowers were in season. It was completely invigorating to see all sorts of plants bloom in crevices, between rocks and in the most unlikely places. Nature persists!   Oil on paper 70cm x 50cm SOLD
  • Oil on board 30cm x 30cm SOLD
  • When I first visited Carrowmore Lake it was in a deluge. The rain was incessant and it was as if there had been an evacuation. The rain teemed and solitude seemed  it's constant companion. Nestled next to a bog and not far from Ballycroy National Park, and close to Erris beo  - it is one of the most Irish landscapes you could hope to witness. The rain makes it all the more moody. I have seen it in sunshine and it is equally enchanting then too.   Oil on Canvas 40cm x 40cm in Slip Frame
  • Oil on canvas 45cm x 35cm SOLD
  • Lacken Strand is one of those wide, open spaces that you can't hide from or in. It is, to my mind, one of the most enchanting places on the island of Ireland. In the vastness of the expanse of the scene you really can't escape or hide from the elements. While on retreat at the Ballinglen Artists' Foundation I took daily walks at Lacken. The weather was broody and moody even in mid-Summer. Oftentimes, it felt like four seasons in one walk but even in perpetual motion there is always order in the natural world.   Oil on Canvas 45cm x 35cm in Slip Frame
  • 'The Big Sky' collection was inspired by a residency at The Ballinglen Arts Foundation in North Mayo. During the 6-wk residency, I spent a LOT of time walking by the sea. There is - for me - a conflict between being inside and outside the studio. -  I always want to be working. Of course, in this instance walking is working.  The constancy of the tides is so calming and invariably that made it's way in to this new, looser work. As did a lightness of touch (and spirit!) also manifested in the pink and peaches of the landscape. It was time well spent: Time in wide open spaces = cardiac care.   Oil on Canvas 35cm x 45cm in Slip Frame
  • From my 'Ballads to the Bog' series, 'Blanket Bog' was painted during my first painting residency at Cill Rialaig Artists' Retreat in Kerry. I went with the intention of painting the sea but was completely overwhelmed by the bogs and spent all my time painting there. It was glorious. I love the abundance of our bogs, their ever-changing colours and the fact they are a living, breathing thing.  

    Available sizes:

    Medium: 24" x 18.3" @ €225.00 Large: 31" x 24.3" @ €395.00 X-Large: 40" x 31.3" @ €595.00
    All prints are made with pigment inks on 100% Cotton Rag Hahnemühle paper. All prints are titled, signed and numbered by Cora Numbered limited edition of 250 Both paper and pigment  are  the industry’s very highest standard Outstanding archival quality guaranteed to last a lifetime or (2!). Laboratory tests certify up to 200 years before any deterioration is noted Print has a smooth, matt surface texture with a 2″ white border on all sides. All sizes quoted are image size, add 4 inches  to width and height for paper size. For example 20″ x 20″ image size = 24″x 24″ paper size. Note: Frame in image is for illustrative purposes and is not included
    Limited Edition Prints EVERYTHING YOU NEED TO KNOW! Please be assured my limited edition prints are of the highest standard. I have carried out extensive research to ensure consistent quality and authentic reproduction of my work. It was worth the effort – I am now 100% confident I am working with the best photographer and printer in the country – I am thrilled with the results! Having previously been a ‘print cynic’, I am astounded at the quality of these reproductions. Because they are printed on 100% cotton rag – they look and feel like originals! I wouldn’t have believed it until I saw it. PRINT SPECIFICATIONS: All prints are made with archival pigment on 308gsm 100% Cotton Hahnemühle. The Paper has a smooth, matt surface texture that guarantees archival standard (longevity 80 -200 years before any deterioration in noted). This is the industry’s highest standard and the results speak for themselves. Each print has a white inch border. AUTHENTICATION & EDITION: All prints are titled, signed and numbered by Cora (in the white inch border). Unless otherwise stated, all prints are in editions of 250. SHIPPING: All prints are packed with great care before being dispatched in robust cardboard tubes. SHIPPING COSTS ARE: €12.00 in Ireland, €20.00 to the UK and €25.00 to anywhere else in the world. All prints are shipped unframed. When your print arrives you should take it directly to your framer and ask for it to be framed behind glass with or without a mount according to your preference. DISPATCH AND DELIVERY: Turnaround time for prints is 5-10 working days from receipt of your order. Once your artwork has been dispatched, you will receive an email with tracking information. CUSTOM PRINTS: If you have a specific print request, please send a message via the form on the Contact page. RETURNS AND REFUNDS: As with all my original paintings, I offer a 100% refund on all prints if you are not completely satisfied. Return shipping is the responsibility of the purchaser. When your print arrives you should take it directly to your framer and ask for it to be framed behind glass with or without a mount according to your preference.
  • Re-enchanting the Connection

    275.00475.00
    NOTE: All sizes quoted are image size, please add 4.5cm to all sides for the white border (9cm addition to width and height). Example: 52cm x 52cm (image) 61cm x 61cm (paper size)
    All prints are made with pigment inks on PermaJet Portrait RAG 285gsm. All prints are titled, signed and numbered by Cora Numbered limited edition of 250 Both paper and pigment  are  the industry’s very highest standard Outstanding archival quality guaranteed to last a lifetime or (2!). Laboratory tests certify up to 200 years before any deterioration is noted Print has a smooth, matt surface texture.
    Limited Edition Prints EVERYTHING YOU NEED TO KNOW! Please be assured my limited edition prints are of the highest standard. I have carried out extensive research to ensure consistent quality and authentic reproduction of my work. It was worth the effort – I am now 100% confident I am working with the best photographer and printer in the country – I am thrilled with the results! Having previously been a ‘print cynic’, I am astounded at the quality of these reproductions. Because they are printed on 100% cotton rag – they look and feel like originals! I wouldn’t have believed it until I saw it. PRINT SPECIFICATIONS: All prints are made with archival pigment on PermaJet Portrait RAG 285gsm. The Paper has a smooth, matt surface texture that guarantees archival standard (longevity 80 -200 years before any deterioration in noted). This is the industry’s highest standard and the results speak for themselves. Each print has a white inch border. AUTHENTICATION & EDITION: All prints are titled, signed and numbered by Cora (in the white inch border). Unless otherwise stated, all prints are in editions of 250. SHIPPING: All prints are packed with great care before being dispatched in robust cardboard tubes. SHIPPING COSTS ARE: €15.00 in Ireland, €20.00 to the UK and €25.00 to anywhere else in the world. All prints are shipped unframed. When your print arrives you should take it directly to your framer and ask for it to be framed behind glass with or without a mount according to your preference. DISPATCH AND DELIVERY: Turnaround time for prints is 5-10 working days from receipt of your order. Once your artwork has been dispatched, you will receive an email with tracking information. CUSTOM PRINTS: If you have a specific print request, please send a message via the form on the Contact page. RETURNS AND REFUNDS: As with all my original paintings, I offer a 100% refund on all prints if you are not completely satisfied. Return shipping is the responsibility of the purchaser. When your print arrives you should take it directly to your framer and ask for it to be framed behind glass with or without a mount according to your preference.
  • Mixed Media 20cm x 15cm SOLD
  • Mixed Media 20cm x 15cm SOLD
  • Mixed Media 35cm x 55cm SOLD
  • Mixed Media 30cm x 20cm SOLD
  • Mixed Media 45cm x 15cm SOLD
  • Mixed media 20cm x 15cm SOLD
  • Mixed Media 45 cm x 15cm SOLD
  • Mixed media 20cm x 15cm SOLD
  • I made this piece over an Easter weekend in my studio. I wasn't entirely sure what I would paint but I had recently returned from a residency in Kerry and the view of the ancient famine village at dusk, with smoke billowing from the little chimneys haunted me and found its way into the work. The famine village is located at Cill Rialaig on Bolus Head, on the last road out of Ireland. The location has been central to much of my work here in Ireland. Residencies here provided an essential time and space to immerse myself in the landscape and it's history - so that I might respond to and develop a sort of language of the land. mixed media on canvas 148cm X 104cm
  • This painting was made in the bog at Emloughmore, just outside Ballinskelligs in Co. Kerry. I love the freedom of painting there, just dropping down in to the scene and trying to capture my impression of the lovely energy in that place. The Golden Cut Away Bog was painted on a sunny January day when it felt as though it was all before us.   Oil on board 15cm x 25cm SOLD
  • I made this painting while on retreat in Kerry early last January. Being surrounded by sea, Ballinskelligs rarely see's snow, so it was a great pleasure to witness the smallest amount atop the boglands.   Mixed media on board 40cm x 25cm SOLD
  • Once you 'aclimatise' there is something quite hynotic about the rain in Kerry. There is a softness to it. In this painting I tried to capture that gentleness.   Oil on board 25cm x 15cm SOLD
  • So taken was I with the Kerry landscape in Spring bloom that I felt compelled to incorporate elements of the landscape to the piece. This piece was one of the first of my 'Ballads to the Bog' pieces made in Kerry in homage to the great Writer and Poet Michael Kirby. At the time, I was looking at the work of German artist Anselm Kiefer who incorporates elements into his giant constructions. The gorse was treated and preserved with varnish before being sewn into the painting - I feel it strikes a good balance between the elemental and abstraction.   Mixed media on linen 50cm x 40cm SOLD
  • When I first started painting in Kerry, I was fascinated by the bog and asked some local people where was best to paint the bog. They sent me to “Lough na Rabba .. where the geese go boggin!".  I understood why when I got there - it was VERY boggy!   And very beautiful.   Mixed media on board, 20cm x 15cm SOLD
  • 'Kerry Gold' goes somewhere to explaining the affection I have for the 'Kingdom'. Time spent there is a gift and on a sunny day it feels as though the beaches are imbued with gold.   Oil on board 25cm x 13cm SOLD

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