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SOLD OUT!Oil on canvas 40cm x 40cm In slip frame, ready to hang. €795.00
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SOLD OUT!Oil on canvas 140cm x 74cm In slip frame ready to hang This painting typifies much of the push and pull at play in my work and could equally be called ‘Holding On & Letting Go’. It was painted over the course of a year in many layers – this painting and I had something of a long loose dance before we capitulated towards each other. Lands Edge is to my mind about standing your ground – staying within the magic limitlessness of imagination – and not getting sucked into the nonsensical void. Out beyond the churning chaos there is magic. You don’t always have to see it – but you must always believe in it, for as Roald Dahl said ‘only those who believe in magic will find it’.
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SOLD OUT!Oil on canvas 40cm x 40cm In slip frame ready to hang It seems a long time ago now, but there was a period when I lived overseas for 15 years. I feel so entrenched in Ireland now – like on a molecular level – I can scarcely fathom all that time apart. Kerry was absolutely fundamental in re-enchanting my connection with home. Feeling utterly ‘at home’ in Ireland has been possibly my greatest delight in life and stems from time spent in Kerry when I first returned. My first residencies were at Cill Rialaig in Ciarraí – I spent much of my first years back in Ireland painting there. It has underpinned my work as an artist and provided a spectacular canvas upon which my life and love of this land has unfolded. I have felt utterly guided every step of the way – there is MASSIVE magic there – a particular kind of Kerry Kismet.
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SOLD OUT!Oil on board 25cm x 20cm In slip frame ready to hang Over the years, I have always felt comfortable living on islands – which is no surprise given our Island home. Reading Tim Winton’s book of the same title brought home (ha!) to me the pure and tender qualities of island life. It frames our life and gives it context (on same and for context Winton’s Island home is Australia!) Most recently, I found myself on small islands in the middle of Lough Mask while fishing with my Dad. At ‘lunchtime’ we moor at one of the small islands - the sounds of the shore lapping, bird life, oars on water, reels spinning and yarns being spun by fishermen is a lovely backdrop to memories of that place and time. It is a place I feel very inspired by and at home.
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SOLD OUT!Oil on board 30cm x 25cm In slip frame ready to hang Inspired by my recent solstice swim, It was the most beautiful evening on Garretstown strand. The sun cast the most glorious, long shadow but there were very few folks on the beach and scarcely anyone in the sea. Having the sea to myself was intensely pleasurable. Invigorating, it felt like washing off a season – I thought of Van Morrison’s ‘To be Born again’ – and understood the immersion to be a special baptism of sorts. I slept so well that night – dreaming I was cocooned in the arc of a wave.
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SOLD OUT!Oil on canvas 25cm x 25cm Ready to hang in slip frame Sometimes the littlest paintings have more than their fair share of magic. This one was painted in about 50 layers and I was just about to give up when it presented itself, like a secret kingdom - just beyond our imagination.
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SOLD OUT!Oil on canvas 56cm x 51cm In slip frame ready to hang My mind gets a bit blown when I think about how the opposite end of the shoreline I am standing in, is washing someone else’s feet on the other side of the world. It is entirely mind-blowing but also enormously reassuring – as if to affirm that everything that lives is connected. The cyclical nature of tides, sun rise – sun set, seasons and the rhythms of our own biology all pre-date time itself and point to an innate knowingness and our ability to be harmonious – in sync – or at the very least community minded!.
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SOLD OUT!Oil on canvas 45cm x 35cm Ready to hang in slip frame After many years traveling and living overseas. It is a constant comfort to feel 'at home' in Ireland. It is a place for my heart to rest.
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SOLD OUT!Oil on Canvas 61cm x 46cm In slip frame ready to hang This painting might appear a bit maverick in this collection but, as with them all, was painted in response to a time and place. In this case. The time being a VERY hot day in my studio. It began life as a demo (for my Abstracting the Landscape Online painting course) but as the layers progressed I realised it was harking back to a recent landscape I had visited. ‘Heatwave’ was painted at the tail end of the collection and the beginning of my next body of work, so it literally is the shape of things to come.
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'From Valentia' (Above us only Sky)
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Flume
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SOLD OUT!Oil on canvas 25cm x 25cm Ready to hang in slip frame This painting was made in many layers and took me on a bit of a journey. It was inspired by Bic Runga's song - of the same title - Everything is beautiful and new. Listen to it HERE. The song was inspired by Bic's first-time motherhood - the enchantment, fragility and wonder of the new. It's appropriate to any journey - that is challenging, a personal stretch but ultimately a happy song.
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SOLD OUT!Oil on canvas 40cm x 40cm Ready to hang in slip frame Another of my happy places! This was painted in my studio but harks back to happy times close to the boglands in Ciarraí. It is, in recent years, a contentment to me to take inspiration out in the landscape before incorporating it into the rhythm of a studio schedule. For a long time, I felt perpetually on residency - out in some landscape or other, it was enchanting but often unsettling. Now a new studio rhythm feels an enhancement, an orderly way to tap into influences and mine memories.
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SOLD OUT!Oil on canvas 40cm x 40cm Ready to hang in slip frame There is a motion in the ocean that helps - I think - to move forwards out of 'stuckness' and onwards. The constancy of the sea and holding on and letting go are a constant theme for me.
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SOLD OUT!Oil on canvas 40" x 30" (i.e. 102cm x 76cm) Ready to hang in slip frame The sea adjoining Ciarraí can often catch colours of the tropics - turquoise and fizzy greens that don't quite match our inky skies. I have been greatly infleunced by Sorolla this past year - visiting his studio in Madrid and seeing his shows in London and Dublin. I wonder how he might have painted our sea - with all the drama but not so much sun, I imagine the Spaniard may have had much to say in paint.
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SOLD OUT!Oil on canvas 45cm x 35cm Ready to hang in slip frame While on a fellowship at The Ballinglen Arts Foundation at the beginning of this year, I used to walk the shoreline at sunset. Most usually I was alone on the beach with my thoughts and it was a lovely opportunity to exercise my mind and body. It occurred to me late on one of those evenings how the sea is so soothing - inhaling and exhaling in a rhythm as it does. Funny to get to my age before realising how the sea shows us how to breathe.
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Oil on canvas 180cm x 120cm In slip frame ready to hang These larger paintings have been stirring inside me for the past few years. It has been a pleasure to see them finally come to fruition in the studio. I am forever saying my work is ‘holding on and letting go’ . There may be more robust, verbose words for my process but the practice of turning up, letting go of all my notions and hang ups and holding on for inspiration, flow and the good stuff (that feels to my mind like fire) is essentially how I find and harness inspiration. Begin to Hope feels like a line I am making by walking, beyond the fertile void, it is of itself spilling out into the world at large
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SOLD OUT!Oil on canvas 76cm x 51cm Ready to hang in slip frame Mayo has some magic places, DownPatrick Head being a case in point. It's the edge of Ireland and not for the faint-hearted. The sea lashes it for much of the time - making for dramatic sea spray and the foamiest, thundering current but then at other times it is all calm - like at day break when the sun steals its way in silence into the sky. The stormy times are not forgotten, but behind us now as we begin again.
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SOLD OUT!Oil on canvas 40" x 30" (i.e. 102cm x 76cm) Ready to hang in slip frame I am a fan of islands but despite having spent much of my painting time in Ciarraí, I have only recently started to document Valentia island. I love the sea-crossing - short as it is - and Bray Head, and the lapping water at ever side. I love too that you can go way, way high up and low down again into the sea. This is one of my first paintings from this place - it was made following a stormy Summers crossing.
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SOLD OUT!Oil on canvas 100cm x 70cm Ready to hang in slip frame
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SOLD OUT!Oil on canvas 46cm x 36cm In slip frame ready to hang Memory plays a huge part in my work. Recalling time and place sensations in all its subjectivity is very much part of the push-pull and play of reconstructing memories. After Nephin was painted following my recent fishing trip with my Dad – it was a glorious time in a wonderful place. Unforgettable really. Yet when I come to paint it – I think mostly of sensations. Weather rolling in, the boat setting off from the shore and rolling out across the lapping lake. The mountains are there - and the moody sky and water - but I think what I am trying to capture is that precious time which feels like water in our hands.
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A Turn For Grace
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SOLD OUT!Oil on canvas 40cm x 40cm Ready to hang in slip frame This painting is another song of praise, an ode to the sea as it renews, invigorates and keeps us buoyant - leading us homewards.
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SOLD OUT!Oil on canvas 45cm x 35cm Ready to hang in slip frame The back strand at Lacken in North Mayo is one of the most breath-taking places I have ever been. It's wide and long and surrounded by huge, high dunes. In the early part of the year, a breeze blows directly across the beach creating gentle gusts of sand - it feels otherworldly and a bit magical - as if for a few moments you are suspended between worlds, neither holding on or letting go.
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‘Tis (All before us)'
Oil on Canvas,
180cm x 120cm
‘Tis – the west of Ireland abbreviation of ‘it is’ is a term I love to hear. The softness of it fills me with affection.
‘Tis was also the title of Frank McCourt’s second memoir. Following on from his best-selling ‘Angela’s Ashes’which portrayed the bleakness of Ireland in the earlier half of the last century.
While we still enjoy significant rain fall, Ireland of today is vibrant. In spite of challenges economic and social, we are as a people – I feel, forward looking. And our landscape is abundant – it holds and inspires us all.
‘Tis’– this painting, is about looking forward. It was made in many, many layers and gave its own set of challenges. When composing a painting, I am not looking for likeness but sensation – the feeling of coming home or being home. Place is important but not in a geo map specific way. I am creating sense of place.
Just as happiness is never truly a thing but more a feeling. I am endeavouring to evoke that feeling when you round the Irish coastline and the views, as Seamus Heaney so beautifully set the scene in his poem Postscript “.. catch the heart off guard and blow it open”.
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'In West Clare' (We are Eternal)